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In a situation like that, where you create the story and it kind of morphs into something else over time, do you still feel a personal attachment to a film like ATL specifically? That’s a film that a lot of people have a real appreciation for. Overbrook , Will Smith and James Lassiter, they were producing it, and over the years, it evolved from that story to the one you see now. The story was about TLC and Dallas, and Dallas’ relationship with his father. He put the group together and that was the base. That’s where they all met and Dallas’ music was what played at the skating rink. It was called Jelly Beans Jelly Beans was a skating rink in Atlanta. It was a story of Dallas Austin, the music producer, and how he created the group TLC. I wrote the original story of what turned in to ATL. After Antwone Fisher comes out, what was your thought? Were you just going to keep grinding? Was ATL a big moment for you? I spoke with Lauren London for Without Remorse and the film recently turning 15. Going through your IMDb, I forgot that you have got a “story by” credit on ATL. I worked on Rush Hour and a lot of movies that people would know. In some cases, there are people are good at writing action scenes, maybe their dialogue is not deep enough for the scene that they want, so they might ask me to work on it. As long as they hire me, whether they make them or not, I’ll continue to write them and spend like 27 years of writing movies and working on other people’s movies, pretty good dialogue. But as a writer, my job is to write them. The studios will hire screenwriters to write screenplays and the screenplays don’t always get made. I worked on a lot of films and wrote films for the studios. I think a lot of people didn’t know that I was a screenwriter when the film came out. I had been a screenwriter for 10 years, but Antwone Fisher was the first screenplay that I wrote. I’ve been a working screenwriter the whole time. What’s life been like for you post putting your story out? Stick around after the feature and check out a new interview Fisher conducted, “Antwone Fisher on Antwone Fisher.” Be sure to check out Antwone Fisher, which is available to stream right now on HBO Max as a part of the Discoveries section of the 2021 TCM Classic Film Festival. Either way, it was the true start to Fisher’s career, which has found him working within the industry as a screenwriter and filmmaker.ĭuring our conversation, Fisher speaks about his relationship with Denzel Washington, meeting Derek Luke, the story behind the film ATL, the “script doctor” work he’s done in Hollywood, getting the story right, and more. It’s a powerful film that has impacted those who’ve seen it, and in a world where we’re just now trying to figure out our mental health and terms like “self care” have been buzzing, it may be more important now than it was almost two decades ago. That life lead to discovering a knack for the written word, which turned into a book, Finding Fish, a memoir he wrote which was the basis for Antwone Fisher, which found Denzel Washington pulling double-duty as director and actor, alongside a relative newcomer at the time in Derek Luke, who wowed audiences with his gut-wrenching portrayal of an adult Fisher.
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He overcame foster homes, multiple types of abuse, and homelessness before joining the Navy as a young adult, and it was only then that he was able to start working through his issues as a man.
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It’s almost like Fisher, after compartmentalizing that trauma and pain into Antwone Fisher, was now free to pull from some of the more joyous times of his life and build a better tomorrow.įisher’s life was hard. It wasn’t surprising that the man who opened up the wounds of his life story, poured that pain into a script, and let the world see his soul continues to inject his life into his work, but it was heartwarming nonetheless. After telling me about the time Chris Tucker introduced him to Elder, we got into the interview, but at the end of our conversation, Fisher brought up the hat again, mentioning briefly that 1975 the year holds a special place in his heart, sharing that he likes to reference the year in his work. I told him it was a Curry Brand piece dedicated to the legacy of Lee Elder. “What’s that hat,” Antwone Fisher asks prior to starting our conversation about 2002’s Antwone Fisher-an acclaimed film that details Fisher’s story, which marked Denzel Washington’s feature film directorial debut-which is a part of the 2021 TCM Classic Film Festival, which is running through May 9 on Turner Classic Movies and via Classics Curated by TCM Hub on HBO Max.